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Volume 3 Issue 1: Origins

Reconstruction of Unsent Letters

confession: it’s not so much that I can see my face reflected

    in the darkness                   of the page but it’s still too easy to

               forget myself. my grip tightening

while I bleed – inky-black from my fist – oozing broken streams

                                                                                 in rivulets that seep

                                        into the creases of my fingers &

stain my hands – I press          palms to the page

            & push down on inked-in confessions and notes – hands

     overlapped. I steal the life back

from them. grasp

                           at words & uproot letters that no                longer

            elude me – spill out – wriggle –

                                                                      squirm across

the page like                tiny     little     medusae.

                       I squint down at          them & feel

                                           their slowing heartbeats as they undulate

to the rhythm – count

                                      their waning numbers

                        when I trace their shapes

into the paper & smudge                    them into blurry edges. they hiss

                       broken fragments of things

            at me              & the moon’s crescent slashes them with shards

of crystalline light before cavernous black, ripe

                       with leftover imprints,            swells              over characters

                                                       once more – I wipe at letters with the edge

                                  of my sleeve & smooth

            out crumples in the paper. but I

                        have become well-acquainted with the topography of this page, so

it could only be                that this time, I, myself, will become

                        the architect. And

as I fold it in over itself – drag my nail along the edges          of the crease – seal my thumb

                                   against the center in a kiss – I swing the pendulum and

           ask,

                  yes or no?

Christina Yijia Cao

Christina Cao is a Chinese-American writer and artist based in Connecticut. More often than not, her works feature elements of whimsy and tidbits of whatever other topics happen to strike her fancy. In her free time, you can find her attempting to tackle her latest artistic, musical, and scientific endeavors. Her pieces have been recognized by the Alliance for Young Artists & Writers and are published or forthcoming in Barren Magazine, the Paper Crane Journal, and the Incandescent Review. Find more of her work at christinacao.carrd.co.

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